Frances Scott

 

Coming soon in 2018

Diviner (2017)

 

Diviner is a new film by Frances Scott created for the Peninsula Arts Film Commission, a partnership between Peninsula Arts at Plymouth University, the South West Film and Television Archive and Plymouth History Centre to be screened in London in collaboration with The Bower in 2018.

 

A short documentary housed in the South West Film and Television Archive, 'Diviner Water in Luppitt' (1976), is the seed for Diviner. A ‘Diviner’ is a term originating from the 15th century used to describe a person who might use special powers to predict future events, or who looks for water under the ground with the use of a divining or dowsing rod.

 

Diviner meditates on the nature of history, and how we might understand the transmitted image. It proposes that rather than a linear experience, history itself is cyclical and bound to repeat, in which the past not only inflects on the present, but is also a spectral, contemporary scribe. More than a silent collection, here the archive becomes a sentient, speaking being.

 

This notion of searching or seeking meaning in matter scores the work, which is structured as a visual and aural script formed almost entirely from material found within the archival footage at SWFTA. In this way the narrative arc is produced through a ‘call and echo’ across decades, so that a conversation occurs between voices and incidental sounds within the original recordings. The selected archival material spans science education films on the cosmos and planetary cycles, to documentary footage behind the sets of other film and television productions – Dracula (1979), Straw Dogs (1971) and Far from the Madding Crowd (1967) amongst others – to news reports of UFO sightings, demonstrations against education funding cuts, tattooed memorials, archaeological digs, natural disasters and cultic practices. It concludes with the image of a beached whale, circled by two figures, in deep mud on the banks of the River Tamar, Devon.

 

Diviner (2017), 22 min, 55 sec. Single channel film, 16mm film and betacam video transferred to digital, colour, mono. Trailer (30 seconds) and images, film stills courtesy of the artist.